Interview with Mars Lorens
Q: What was it like rehearsing in the new space for the first time, especially with a cast this large, and how did that compare to Cygnet’s old rehearsal space?
A: Don’t tell any of the other rehearsal spaces around town, but this new rehearsal studio is one of the nicest I’ve worked in. Having the space to comfortably fit a cast of 27 in one rehearsal room feels luxurious, and I don’t like to think about what rehearsing a show of this size in the old rehearsal space would look like. And it isn’t just the space! We are also very lucky to have nice big windows all around the room with beautiful views of Liberty Station and lots of natural light streaming in. A big step up from the old closed-off garage!
Q: How many shows have you stage managed for Cygnet and how has this experience differed?
A: This is my 10th show I’ve worked on at Cygnet! I have been Production Stage Manager for 7 shows and Assistant Stage Manager for 3. This production in particular feels different just because of the newness of it all. It’s been an honor to be the first team to start puzzling out how to work in a brand-new building. There are little things you take for granted when you’re settled in a building like we were in Old Town – such as being able to find the light switches in the dark, with my eyes closed.
Q: How was the tech process for you as Stage Manager? Any challenges or pleasant surprises?
A: Surprisingly enough, the tech process went far smoother than I think anyone anticipated. Shout-outs to the production team’s prep work to get us to tech, but once we were in it, it felt just like any other tech process. The best part of tech was having a rehearsal room nearby that we could work in while we were teching onstage.
Q: Favorite thing about this show or process overall?
A: My favorite part of this process is seeing all the hard work of so many people come together to bring this show to life.
Q: Anything you’d like to say to Cygnet’s donors?
A: Thank you for your support of live theatre! Theatre is nothing without its audiences and your support is so important in keeping this art form thriving.
